Sony 35mm f/2.8 Sonnar FE - 13 Sep 2018
Since I received the lens literally a day before we left for Newfoundland, I decided to use it exclusively on the Sony a6300 and give it a test run as both travel lens and digiscoping lens. On the crop-censored a6300 the 35mm gives an effective focal length of ~52mm. Images from the camera are the same as real life, and I found no evidence of distortion at the edges. The quality of images was impressive, especially when I generated panoramas from vertically-stitched image series. On the Sony a6300 the 35/2.8 Sonnar made for a great travel camera.
So, I thought I'd spend some time checking the setup and giving it more work. At Elliston, NL I had the opportunity to concentrate on a Great Black-backed Gull, and I was much more satisfied w/ the quality of images. Sharp, and little-to-no chromatic aberration in high-contrast white feathers.
Robin and I then drove to the Atlantic Puffin colony just a short distance away. I spent some time in the mid-afternoon sun digiscoping puffins from about 150' away, and, once again, found myself disappointed in the quality of the images. I had some nice keepers. I had more losers; soft-focus birds with distinct CA that tells me that I was either front- or back-focusing on the birds. I could possibly place some blame on time of day, wind, moving birds, and possible heat shimmer, but I did not feel good about the lens after this visit.
Sony 35/2.8 @ 25X Zoom |
Sony 35/2.8 @ 25X Zoom |
Sigma 30/2.8 @ 30X Zoom |
Perhaps most telling, however, was during focus-peaking. When I focused the scope on the bird I then attached the Digidapter™ and camera setup, then used focus-peaking to get maximum sharpness of head feather detail. The balding male goldfinch really helped here. I found that focus-peaking with the Sigma 30 optimized just before infinity while the Sony 35 optimized right at infinity. This is kind of critical since I found at some moments I could not focus-peak w/ the Sony and get a super-sharp image unless I did some additional focusing w/ the scope! As a result, I ended up getting slightly softer captures more often than not.
The bottom line? When it comes to digiscoping with the Sony a6300 the Sigma 30/2.8 DN lens ($169) is every bit as good (and perhaps more reliable) as the Sony 35/2.8 Sonnar under the same conditions. I would expect the Sony to show better edge sharpness and less CA at the edges than the Sigma 30, but frankly, the Sigma 30 gives reliably sharper images, even when zooming the scope to 30-35X.
So, my advise would be to purchase the Sigma 30mm f/2.8 DN and save the extra $600 to buy something nice for your significant other. The Sony 35mm f/2.8 Sonnar is an excellent lens, and reliable as a travel lens and digiscoping lens, but in my case the extra $600 does not result in significantly better image quality. That said, if I do get my hands on a Sony a7iii the Sony 35/2.8 Sonnar may be a killer combo.
In the meantime, here is one of my resident Ruby-throated Hummingbirds that is still hanging around. I digiscoped this little beauty hand-holding the scope!
Sigma 30/2.8 1/1000 sec f/2.8 ISO 3200 |
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